5 to See: This Weekend
From innovative 21st century software to pioneering post-war photography, shows opening at the end of October hold up a mirror to society.
From innovative 21st century software to pioneering post-war photography, shows opening at the end of October hold up a mirror to society.
How has the digital revolution impacted daily life? The Aesthetica Art Prize exhibition, currently on display at York Art Gallery, explores this.
Laurent Grasso’s work explores sacred spaces, mythologies and scientific theories through video, sculpture, painting and installation.
Aesthetica Art Prize alumnus Alinka Echeverria combines a background in anthropology with a critical, responsive approach to image-making.
We are delighted to announce the judging panel for the Aesthetica Art Prize 2019, comprising influential art figures across a range of media.
The domestic landscape holds complex emotions at its core. Works from the Aesthetica Art Prize’s longlist of Artists’ Films explore these feelings.
Anthropocene at Art Gallery of Ontario brings together science and art, unearthing the scale of industrial activity on the planet.
The shortlist for the 2018 Jarman Award is announced. This year’s selection includes Aesthetica Art Prize artist Jasmina Cibic.
Future Now: The 2018 Shortlist investigates ideas of identity through work by three shortlisted moving-image makers.
Art Basel’s photography selection includes key voices, raising awareness of ongoing social, political and ecological questions.
The June / July edition of Aesthetica is available now. Issue 83, A New Way of Seeing, considers the intersection between the created and the real.
Video content is integrated into our culture. Aesthetica’s Artists’ Film Screenings offer a platform innovative and thought-provoking work.
Asking the question: Beautiful world, where are you?, Liverpool Biennial 2018 surveys the current social, political and environmental landscape.
A new piece by artist and filmmaker Kahlil Joseph, Fly Paper, opens The Stores’ new exhibition studios in Berlin.
Ahead of a panel discussion at Future Now, Jasmina Cibic explores how artists’ film is establishing itself as a standalone genre that reflects social attitudes.
Shortlisted artist Electra Lyhne-Gold questions the wider impact of advertising by fragmenting the language of publicity.
As part of the 2018 Aesthetica Art Prize shortlist, Kenji Ouellet’s I Am One offers new perspectives on individuality and uniqueness in the wider city.
Bridging the boundaries between art, culture and philosophy, HowTheLightGetsIn Festival makes sense of the world through a diverse progamme.
The Whitworth showcases its latest major moving image acquisition – Isaac Julien’s Ten Thousand Waves.
