The endless possibilities of the visual narrative come to the fore in the Aesthetica Art Prize 2018’s shortlist for the field of Video & Performance.

London Design Biennale, hosted by Somerset House, invites an array of global practitioners to explore the importance of a collective consciousness.

The London Open 2018 selects 22 global artists who live across the 32 London boroughs, showing how, within a hyperactive setting, creativity is thriving.

The Broad presents A Journey That Wasn’t, a show which asks how the intangibility of time manifests within personal memories, informing creativity.

As part of the 2018 Aesthetica Art Prize shortlist, Kenji Ouellet’s I Am One offers new perspectives on individuality and uniqueness in the wider city.

Noémi Varga’s The Happiest Barrack recounts a personal tale of life and love within soviet Hungary. See it at as part of the Aesthetica Art Prize 2018.

The Aesthetica Art Prize is a celebration of emerging and established artists. The 12 shortlisted works define a new vocabulary for life in the 21st century. 

Addressing issues of exposure, Whitechapel Gallery in partnership with Collezione Maramotti present the annual Max Mara Art Prize for Women.

The selection for 17-18 March celebrates the past, present and future of creative practice through performance, installation and images.

Surrounded by a tumultuous climate, Turkish-born photographer Fatma Bucak channels her Kurdish history through an exhibition at Fondazione Merz.

Juno Calypso invites viewers to become participants in an immersive installation, escaping from reality and into a cyber landscape based on western ideals.

To celebrate the impact of an influential institution, Whitechapel Gallery, London, has opened its doors to the first exhibition tracing Performa’s history.

Somewhere in Between at Wellcome Collection offers a collaborative examination of the human condition, bringing together science and art.

Co-commissioned by National Museum Cardiff and Artes Mundi, Ragnar Kjartansson’s The Sky in a Room takes place over a five-week period.

In 1960, a devastating earthquake destroyed much of the Moroccan city of Agadir. Yto Barrada addresses the process of reinvention .

In 1921, influential poet T.S Eliot spent time in Margate. A new show draws connections between The Waste Land and visual arts.

The term “soft power” is used to described how political rhetoric is deployed through culture. Jasmina Cibic examines this rhetoric.

Notions of what it means to be human are constantly shifting. Multidisciplinary AAP artists Webb-Ellis discuss their recent, constantly evolving, projects.

Katia Kameli’s multidisciplinary, site-specific artwork ties in to an ongoing mission to support refugees and migrants in Newcastle.

Throughout April, experimental practitioners spent two weeks living and practicing in Yorkshire Sculpture Park.